Harris, 13-25.Īuthors who publish with this journal agree to the following terms: “Foreword: Excess, Alienation and Ambivalence: Edogawa Rampo’s Tales of Mystery and Imagination.” In Edogawa Rampo, Japanese Tales of Mystery and Imagination, trans. Honolulu: University of Hawai‘i Press, 2008. Purloined Letters: Cultural Borrowing and Japanese Crime Literature, 1868-1937. “Satō Haruo ‘Ritsugisha,’ Edogawa Ranpo ‘Imomushi’ no ken’etsu.” Nihon kindai bungaku 83 (2010), 199-206. Kaitei shinpan Nichibei kaiwa hikkei = A Handbook of American English Conversation. Minneapolis: University of Minnesota Press, 2008. Murder Most Modern: Detective Fiction and Japanese Culture. In Edogawa Ranpo kessakusen (Tokyo: Shinchōsha, 1960), 220-244.Įdogawa Ranpo. Gessel (New York: Columbia University Press, 2005), 365-375.Įdogawa Ranpo 江戸川乱歩. In The Columbia Anthology of Modern Japanese Literature, Volume 1: From Restoration to Occupation, 1864-1945, ed.
Fukuoka: Kurodahan Press, 2008.Įdogawa Ranpo, “The Human Chair,” in Edogawa Rampo, Japanese Tales of Mystery and Imagination, trans. Paris: Éditions Philippe Picquier, 1990.Įdogawa Ranpo.
0 kommentar(er)
